Severe Burns

January 18th, 2010

A quick post today. My site’s been down for a couple of weeks while I sorted out a few gremlins, and since I’ve got it back up I’ve been meaning to write a wee update on how things are going. Time at the moment, however, is short, so I’m just doing a wee quickie to share the resources I’ve been slavishly battering away at for the last week.

The school I’m working in celebrates the life of Robert Burns every year with a Burns supper, at which P7s regale staff and parents with renditions of some of Burns’ songs. Shock! Horror! Panic! the CD with the  backing tracks on it has gone AWOL. As the music guy in school, I took it upon myself to record a few backing tracks using my trusty guitar and Garageband—I’m quite pleased with the results, so I’m making them available as freebies for anyone that wants them.

Scots Wha Hae
Rantin’ Robin
Green Grow the Rashes
auld lang syne
a man’s a man

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George Burley and Scotland – my thoughts

November 16th, 2009

I’ve been thinking about this quite a lot the last couple of days, and this post has been brought on by the fact that I just saw the front of the early edition of the Record saying that George Burley is hours away from getting the bullet as manager of the Scotland football team. Before I start though, it’s cards on the table time. I’m a card-carrying member of the Scotland Supporters Club, a regular at home games, both competitive and friendly. I don’t really travel to away matches much as I’d like, but that’s another story. I’ll also make it clear just now that much of what is about to come is based on my observations and will contain lots of conjecture, rather than proper journalistic fact. I’m not a journalist, after all! One other thing, I should make it clear now that I have been quite an open supporter of Burley, in spite of widespread disagreement from many of my friends and fellow supporters. Anyway…

On Saturday, Scotland were away in a friendly match against Wales. Before the match, I had a decision to make; to either stay in Glasgow to watch the match in the pub, or head down to Irvine to watch Pollok take on Irvine Meadow. Bear in mind, that I’ve either attended, or watched more or less every Scotland game for the last umpteen years. The decision didn’t take much thought to make. The Pollok game promised to be competitive and entertaining, while Scotland’s track record in friendlies is far from impressive, and I know from experience that they’re often not the most engaging of encounters, usually bereft of much in the way of flowing football, goals or even, dare I say it, effort from the players on either side. I made a conscious decision, then, to miss the Scotland game.

I made the right choice too. Scotland, as I’m sure you are well aware, were humiliated 3-0 by Wales. Of course, this has led for calls for the manager, George Burley to go, and it is this that I want to explore. Incidentally, Pollok earned a hard-fought 2-2 draw in an utterly gripping match! Definitely the right choice!

Burley got the Scotland job after a highly successful unsuccessful attempt to qualify for Euro 2008. In a group containing both finalists from the previous World Cup, and a decent Ukraine team too. We finished third in that group, by the managers making the team into one that was better that the sum of their parts. This was achieved by playing a tight, well-organised game of football. It was seldom beautiful to watch, but the joy of watching Scotland running out deserved winners against France at Hampden; and James McFadden’s wündergoal in the return match more than made up for that. Of course, it took two managers to do that. Walter Smith was enticed back to Rangers midway through that campaign and Alex McLeish took the reigns, before leaving for Birmingham days after defeat against Italy ruled us out of qualification.

Burley took over a team that was on a high, and I don’t think it’s unreasonable to say that my expectations were equally high. For sure, I know that we punched well above our weight in that campaign, but with the same players, and a manager who was well respected after spells with relatively successful spells at Hearts and a number of English teams. The press, on the other hand had other ideas, preferring some of the other candidates they had been touting for the job, including Graeme Souness. From day one, the press seemed largely unimpressed by the appointment; or at the very least failed to get entirely behind the new manager.

Burley’s tenure as manager, for my money, has been characterised by two things: the dressing-room, and the media. It was also defined by two matches, the home and away ties against Norway. The campaign got off to a mediocre start, but the first really big game was the home match against Norway. It was obvious that to get into second spot and have a chance of qualifying, they were our main rivals. That day started off very hopeful, but finished with an uninspiring 0-0 draw. And yes, that miss from Iwelumo. I maintain to this day, that anyone could have missed that. It was a freak incident. They happen sometimes in football. Iwelumo came on, and played really well, I thought. He look lively, he was getting into good positions. Then that happened. With one sclaffed tap on the ball, he had ended his international career. But all hell really broke loose after the game, when Kris Boyd of Rangers, who had warmed the bench all day announced that he was never playing for Scotland under Burley ever again. Those in the press who  were against Burley jumped on this, and in truth, it has overshadowed the entirety of his time as manager.

Then came ‘Boozegate’. Captain Barry Ferguson and goalkeeper Alan McGregor relegated to the bench after an all-night drinking session, and then banned forever after (wait for it!) pretending to not give TV cameras the vicky from said bench during the subsequent match. Really, this incident and (och, why not?) Boydygate point to the same thing, as far as I can see—a wee clique of players who had decided that this manager wasn’t for them, and who were hell bent on undermining him and doing whatever they wanted, Damned United style. Whose fault is this? Really, I’d hope that grown-ups wouldn’t behave this way towards their leader. But at the same time, it’s the leader’s job to command the respect of his lieutenants. Is there blame on both parts? My gut instinct is to be sympathetic to Burley in this respect, if for no other reason than I’ve been in that position myself (albeit not in a footballing context), and I know how difficult it can be trying to manage a group while being undermined by pack-minded individuals.

After all this blew over, if it ever really did, the campaign trundled on. A mixed bag of results led up to the away match against Norway. Horrific. We were torn apart 4-0. It’s hard to find anything positive to say about this. Scotland were inept, in terms of players’ performances—for one, Gary Caldwell’s stupid, but deserved, sending-off lighting the blue touchpaper in terms of Norway’s performance—but also tactically too, in light of that red card. Burley got it wrong. Really wrong. He made some substitutions that I can only describe as baffling. That said, I’ve never been one to go overboard on things like this though. Football teams and football managers do get it wrong sometimes. A 4-0 gubbing is hard to take as a fan, but ever keen to see the positives, I felt that until the red card, the team was set out fairly well and it (whatever ‘that’ is) wasn’t going too badly (for the first 15 minutes or so!) It was a tough point to argue though. Perhaps rightly, the media, and a good proportion of Scotland fans were vociferously calling for Burley’s head.

Two good performances in the last two group games led to Burley being publicly supported by the SFA, and it was made clear that he was staying. I was really pleased about this. Those last two matches (a convincing win against Macedonia and a narrow defeat by the Netherlands) showed real signs of progress, and the players played as a unit, with a real fire-in-the-belly approach to the game. I was pleased that Burley was being asked to stay on. He’s got them now, they’re doing it his way, and it looks like it’s going to work! Ever the optimist, I continued to argue the toss.

Not any more. The result on Saturday was curtains. After two years of defending Burley and looking for positives at a time when there have been few to find, enough is, I think, enough. It is now quite clear that Burley is unable to motivate his players in this set-up on a consistent basis. It’s not a case of not beating Wales. We were thrashed. Humiliated. He is no longer the right man for the job. I’m afraid it really is time for him to go.

I believe, quite sincerely, that George Burley is a decent football manager, and I would be really pleased to see him to go on and be successful elsewhere (if for no other reason than to prove me right!) It’s clear that, from the outset, the Scotland job has been a poisoned chalice for him. He has been brave in the face of constant niggling criticism from the press. He has tried his best to manage a wilfully childish strain running through the squad of players. Perhaps it’s no wonder that he’s been unsuccessful. But unsuccessful he has been. It’s time for a change.

football

The Chain!

October 3rd, 2009

OK music fan, here is the plan. Having enjoyed several collaborative Spotify playlists with Twitter types in the past, I want to take the concept a step further. Some time ago, in February I think, Theo Kuchel first introduced me to the notion of what a collaborative playlist was. Anyone using Spotify, is able to suggest tracks that fit in with a specified theme. In this first instance, the theme was simply Scotland. All you had to do was think of a song that was in any way related to Scotland (Scottish artist, song about Scotland, bagpipe solo or fiddles in the middle-eight, you know the sort of thing) and add it to the list. (For what it’s worth, you can still add to this list if you’re a Spotify user.)

I’ve been involved in a few of these now: happy songs, sad songs, songs about school, songs about fruit amongst others.

Last week, after a conversation in the house with Gill we decided to start a list of songs with voiceovers. We got 10 or so in the house, then threw it out to Team Twitter. With the help of a handful of others (with a special mention for the efforts of Kenny O’Donnell) we managed to fill the list out to a whopping great 59 songs.

Anyway, enough rambling:

Here’s the plan!

This morning, being the swell folk that we are, started our own Chain (you might have heard similar on Radcliffe and Maconie’s excellent evening show on BBC Radio 2). The idea is simple.

  • You start with a song. Any song.
  • Then, you think a song that is in someway linked to it (bonus points for oblique or tenuous reasons!).
  • In the comments section of this blogpost, you write what your pick is, and a quick explanation of why they are related.
  • You add the track to the playlist
  • The next person then thinks of a track that in some way connects with the previous one
  • This goes on ad infinitum.

Simple, right?

A couple of examples just in case:

  • This morning we managed to link the Happy Days theme tune to Blue Oyster Cult’s ‘Don’t Fear the Reaper’. Reason: Henry Winkler played the Fonz in Happy Days, and also the Head Teacher in Scream, on whose soundtrack Don’t Fear the Reaper appeared.
  • My personal favourite: Bob Dylan’s ‘Knocking on Heaven’s Door’ was followed by ‘Cat’s in the Cradle’ by Harry Chapin. Because Knocking on a door and Chapin on it are the same, aren’t they? :)

The only problem I can see is that everyone might have an idea for every song. I think the rule has to be that the first person to get on the blog gets the pick. That said, if you’ve had a turn recently, it would be sporting to hold off for a bit in case someone else wants a shot.

Be sure to leave your Twitter handle on your post as well!

All that remains for me to do, in that case, is pick the first song (which I can do without explaining it, cos it’s my ba). Enjoy yourselves!

Edit: To help things flow a bit, it would help if you could tweet your pick along with a link to this post , so your followers can add their ideas.

music

Crowdsourcing Journalism

August 29th, 2009

I was very impressed when I heard BBC Radio Scotland’s Open All Mics program today. Rather than the live-game-with-studio-updates model which has dominated football radio broadcasting in Scotland since I can remember, Open All Mics mimics the format made popular by Jeff Stelling and his cronies on Sky Sports—Soccer Saturday, I believe they call it (though I’ve always thought myself a football fan!) The format is studio-based and features constant match updates from reporters at the different matches, and discussion between pundits when there’s not much happening.

Anyway, to business. Open All Mics has opened a Twitter account, and have been filling my feed with goal updates all afternoon, like a 2.0 version of the BBC’s legendary Vidiprinter. So far so good, but very one-way. What really impressed me today was that fans attending games were then invited to send in their own half-time reports. This brings in a whole new level of interactivity. While Richard Gordon and the team at the BBC are able to read out the ‘best’ ones, it also allows anyone with a Twitter account to read all of those @messages and get a real flavour of what’s going on around the country. It’s also a very, very cheap method of content generation for the Beeb, so everyone’s a winner, right? (The BBC have also started to read out messages left on the Pie and Bovril messageboard in their TV final score program – something that I have some slight reservations about, since it smacks a bit more of unlicensed use of content; unlike @messages, that are clearly meant for them to use.)

That aside, well done BBC Scotland, for an innovative use of the technology available to you.

Edit: I should say that Open All Mics can be followed at @openallmics!

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TeachMeet Student Edition 2009

May 18th, 2009

I’ve spent a portion of tonight collaborating with some colleagues across the country to drum up support and attendees for TeachMeet Student Edition 2009. I’m not going to go into great detail about what TeachMeets are, because this is widely covered in many other places, most notably the TeachMeet website (http://teachmeet.pbworks.com). What I can do is vouch for TeachMeets as being the most relevant, satisfying and worthwhile CPD I’ve been involved in, eschewing as it does the ‘I-will-now-read-this-powerpoint-to-you’ type of presentation by keeping it short (you get 7 minutes to set up and speak) and maintaining a friendly and informal atmosphere.

Tonight’s collaboration focussed on contacting Probationer Leaders in all 32 local authorities to promote the event to their charges. Stuart Meldrum set up this Google Spreadsheet to coordinate contacting each authority – the idea being, it’s better to get someone who the Probationer leader knows (or at least, has heard of) to contact them rather than a blanket email from one unknown email address. So far 18 out of 32 authorities (nine sixteenths of the total, level D maths fans!) have been contacted, but that leaves 14 still to be contacted.

If you are able to help with this task, by contacting someone in an authority you know, then please add your details to this spreadsheet!

Contact details for the leaders are available on the GTCS Probationers website.

It was amazing to watch this all happen tonight, and an affirmation of the value of building a network of colleagues – TeachMeets and Twitter have been invaluable in this.

edit: I should say that Iain Hallahan (twitter) has been instrumental in making all of this happen tonight. Cheers Iain!

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Twitter as Ceefax replacement

May 14th, 2009

I was up stupidly early the other day, and having already played World of Warcraft quite extensively, I stuck on the telly. I was delighted (and maybe a bit embarassed) to discover that they still show ‘Pages from Ceefax’ when there’s nothing else to put on in the morning. I was flooded with fond memories of reading Digitiser and the music pages on C4, and also of those times when a lack of TV or radio coverage meant that the only way of following some football matches was by sitting watching the Teletext pages tick round and cheering when you got a score update (one in your favour, at least).

Fast forward a few days, when I found a good friend stuck for coverage of a Scottish lower-league play-off; too low key for even local radio coverage, and no chance of even a sniff at live TV coverage (even BBC Alba have turned their nose up at it!) What solution then? It turns out that his local newspaper have a twitter account, and have sent a reporter to live tweet coverage from the final. Amazing stuff, and a brilliant use of the technology. I had a wee look at it and all in all, it’s not a terrible way to follow a game of football (better than watching teletext flick round anyway!) We came to the conclusion that the experience is not unlike watching a game of Championship Manager (and yeah, I know it’s called Football Manager now, but I like that think that since playing it since v1.0 on the Atari ST, I can call it Champ if I want. Same goes for Opal Fruits. n00bs.)

This is unlikely to become an entirely widespread way of consuming football. Most football that ordinary people care about is covered to the point of saturation in mainstream media, but I wonder how useful it would be for people who do support they many, many less-well-supported teams around the world. It all points to the power of Twitter as a medium, the power to live broadcast facts, views and thoughts from just about anywhere, and to build sporadic communities round about events through hashtagging. Wow. Credit to the Airdrie and Coatbridge Advertiser (twitter: @acadvertiser) for coming up with this. One thing though, if that was my paper, I would feel absolutely no shame about chucking out an occasional advert for the paper itself during the coverage, seems like a fair exchange; since not everyone is going to follow them, preferring instead to follow using a service like twitterfall.com

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Movie Making with P6/5

January 20th, 2009

As part of the current remit, I have been taking a P6/5 class for ICT, providing McCrone cover for the class teacher. There’s been a big push for the Scottish Homecoming to be marked in the school, and it has been quite positive all round – it seems, at least, a step further than forced Burns recitals and such; and the idea of embracing our collective Scottishness has been well received by teachers; and by pupils too, I think.

As part of this, I had the idea that it would be a nice idea to explore this in ICT lessons too. My initial plan was to have the children in the class gather images that define Scottishness to them; I would then have them load the images into Animoto and make a slideshow. While I was playing around with Animoto myself, I had cause to think about what music I would use as a soundtrack to the slideshow. I could download something, maybe let the children choose a song and have the MP3 available in the school’s shared directory for them to upload. But then, it hit me that while the whole school is preparing songs to sing at an assembly, it would be worthwhile to record the class singing their songs and have that as the soundtrack. I thought that it would be a nice idea also, to film the recording of the songs to make a Band Aid style video to open or close the project.

Of course, with that thought, I had let the cat out of the bag. Since I want to film some of it, it would be pointless not filming the rest of it! Maybe it would be an equally good idea then, to have the children talking on camera about their feelings about Scotland and what defines it for them. The idea was born then, for the children in the class to make a short film called ‘My Scotland’. In it, I aim to gather a collection of interviews with pupils (across the whole school) and members of the wider school and local community (touching on Enterprise), still images selected (or better, taken) by pupils in the class, the class singing and my living out my rock and roll dreams with a lilting guitar strum in the background.

I would like the children to be as responsible as possible for the production of the entire thing. The school only has access to Windows Movie Maker on its computers, which I don’t have much experience with. Not having a Windows machine at home, I’m loathe to try it in school, especially with the restrictive network lockdown meaning that I’d be unlikely to make any sort of camera work with it without calling in the IT guy. Easier, I think to let the children use my Macbook (in a very strictly supervised way, you understand!) and we can edit the piece on iMovie instead. I’d like the class to script it, make up interview questions and carry out the interviews; be responsible for setting up the tripod and operating the camera – especially since I won’t be around much of the time bar Tuesday afternoons, they’re going to have to be able to work on this independently as much as possible.

I rolled the notion out to the class this afternoon and they seemed quite excited about it. We discussed things that the children might want to see in their film, and we made a basic mindmap on the board. I had hoped to make it on mind42.com but there were some technical issues with regard to getting the whiteboard to work, so once again, analog technology saved the day! We talked about the types of jobs that we would need to do and I was pleased to get a few volunteers to be writers, and completely unsurprised to see that everyone wanted to be a camera operator. It was decided that everyone had to get a shot of doing that!

Finally, the children had to receive ‘the talk’ about the value of school equipment and looking after it, after a little bit of silliness resulted in the tripod taking a dunt while the children where around it and I was pointing out the features of the camera. Understandable really, I think they were quite excited; and they’re not really used to seeing that sort of thing in their classroom. The fine line between excited curiosity and ‘being a bit silly’ got a little blurred. I always feel that I don’t want to start a project off with a threat; so I look on it as more of a general reminder about the value and importance of mutual trust between pupil and teacher when it comes to tasks like this one.

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8-Bit Christmas Music

December 22nd, 2008

I am absolutely fascinated by chip music, to the point where I worry a little bit for myself. For the unacquainted, chip music normally refers to music made on, or synthesising, the music chips found inside 8-bit computers (e.g. ZX Spectrum, the original NES, Sega Master System, and the classic black-n-yellow Gameboy.) Here is a collection of Christmas Carols and songs, rendered as such for your listening pleasure – with nostalgic 8-bit gaming puns for you to spot too!

http://www.doctoroctoroc.com/video-games/8-bit-jesus-full-album-release/

(at time of writing this site was getting a bit hammered by traffic – so be patient with them!)

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My Most-Listened to Tracks of 2008

December 22nd, 2008

More last.fm:

my last.fm top 22 for 2008

my last.fm top 22 for 2008

This is a more interesting chart, I think, than the artists one, since it better shows up the ipodification of my listening, where tracks often have more value than albums (and even artists for that matter), simply because it’s just as easy to listen to tracks than it is to listen to albums these days, there being no need to physically switch media.

Loudon Wainwright III has stormed straight into my top 20. Dead Skunk is a song that Gill’s dad used to have on in the car a lot when she was wee, so I have her to thank for introducing me to it. Albeit a bit of a novelty song, it has all the hallmarks of a great singalong song in that it’s funny, and easy to sing. Similarly, #2 on my chart, Frankie’s Gun has similar qualities. The Felice Brothers do commit the crime of being absolute Dylan copyists, but Frankie’s Gun is excellent; and again, is endowed with a catchy, singalong chorus and some clever lyrical hooks in the verses.

The JP Daly prize for best pop single of the year goes to #5, Neon Neon’s I Told Her on Alderaan. Neon Neon are a collaboration between Hip Hop producer Boom Bip and Super Furry Animals’ main guy Gruff Rhys. I Told Her on Alderaan is one of the more accessible points of their album Stainless Style (a concept album about the life and works of time-machine manufacturer John DeLorean). An upbeat pop rock song with an impeccably authentic sounding 80s pop production, it’s almost like a time machine in itself. It’s also one of the very few Star Wars-referencing songs ever to be any good (although I am open to being convinced otherwise if anyone knows any better.)

Other notable entries are Half Man, Half Biscuit whose ‘All I Want for Christmas is  a Dukla Prague Away Kit’ appeared as a last.fm suggestion and seems to have stuck, although I remain unconvinced about their relative merits in spite of that song. Bonus points to anyone who spots the Lloyd Cole / Camera Obscura continuity.

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Last.fm – My most listened to of 2008

December 21st, 2008

One of the great things about a service such as last.fm is that it allows an almost scientific look back at listening habits over a period of time. I’m the kind of guy, you see, who had certain CDs that were hidden away from the rest of my collection – always a few guilty pleasures hidden away from the prying eyes of visitors. I have, of course, grown out of that very teenage mindset (honest!). These days last.fm captures everything I listen to. As a result it provides a quite interesting way to look at my listening trends and habits – and there’s nowhere to hide (there, that deals with ABBA right out of the box!).

last.fm stats for 2008

last.fm artist stats for 2008

I was quite surprised by some of the results. I wouldn’t have said that 2008 was a particularly Beatle-y year for me, but I think I can attribute their runaway success to one rainy afternoon on Arran where the laptop played the three Anthology albums back to back while we… dealt with the conditions. One thing 2008 has been, though is the year where I started to understand what the fuss was about with the 1960s and 70s American folk rock and country – something I’ve always been quite unsure of. This explains the appearance of Bob Dylan and Loudon Wainwright III on my chart. Those two, along with Glenn Campbell, Sufjan Stevens and Paul Simon make an incredible FIVE singer-songwritery types to appear in my top 20 – something that would have been unthinkable a few years ago. All in all, though, 2008 has been quite predictable in terms of bands I’ve been listening to.

I think I can explain away quite a few of the high placings for some of the artists. The reissue of the 1972 Santa Monica gig near the start of the year explains why David Bowie’s in the top 20, as I hammered that for a few weeks after it came out. Likewise, I got a hold of an excellent Yellow Magic Orchestra box set which resulted in a lot of play for them for a few weeks.

A worrying trend, either to do with my listening habits, or (I hope) the state of music in general, is that the vast majority of the top 20 are artists whose careers are oldies – people who, if they are still working have their best days well behind them. Maybe it’s time for me to start reading the NME again?

I really wish I had had access to a service like this for the entirety of my music listening life. There are lots of things I don’t listen to much now that it would nice to look back on. In truth, I don’t listen to music in general as often as I once did. Podcasts make up a lot of my commuting listening these days, and a lot of the time that I would have spent listening to music is often spent in other ways. A slightly younger me would have had much higher stats than this, which has led me to set a challenge for myself for next year. In the almost 2 years that I’ve been using last.fm, I’ve scrobbled almost 5,000 tracks. By 31st December next year, I’d like it to be at 10,000. 5,000 songs over 365 days works out at 13.69 tracks a day – should be easily achieveable given my commute. If you have anything you think might help me here – track or band recommendations especially, please leave me a comment :)

Tomorrow – my top 20 or so listened to tracks of the year. Hold on tight!

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